The Prague Post - Cannes gets rare look at real life in Chinese factories

EUR -
AED 4.301343
AFN 77.611852
ALL 96.514738
AMD 446.868239
ANG 2.096972
AOA 1074.017289
ARS 1697.403887
AUD 1.766826
AWG 2.11114
AZN 1.995739
BAM 1.956099
BBD 2.35916
BDT 143.251875
BGN 1.956099
BHD 0.441567
BIF 3463.32887
BMD 1.171229
BND 1.514231
BOB 8.094236
BRL 6.490135
BSD 1.171279
BTN 104.951027
BWP 16.475516
BYN 3.442526
BYR 22956.085522
BZD 2.35576
CAD 1.615886
CDF 2996.593612
CHF 0.937635
CLF 0.027188
CLP 1066.568306
CNY 8.246564
CNH 8.23796
COP 4521.190411
CRC 584.989331
CUC 1.171229
CUP 31.037565
CVE 110.281841
CZK 24.338023
DJF 208.581852
DKK 7.472562
DOP 73.371204
DZD 152.341263
EGP 55.872532
ERN 17.568433
ETB 181.965387
FJD 2.67474
FKP 0.875386
GBP 0.880988
GEL 3.144796
GGP 0.875386
GHS 13.453054
GIP 0.875386
GMD 85.500123
GNF 10238.563486
GTQ 8.975371
GYD 245.057422
HKD 9.113976
HNL 30.857712
HRK 7.53616
HTG 153.573452
HUF 386.728509
IDR 19556.008162
ILS 3.75619
IMP 0.875386
INR 104.915757
IQD 1534.434317
IRR 49308.735131
ISK 147.141933
JEP 0.875386
JMD 187.41862
JOD 0.830448
JPY 184.767254
KES 150.983056
KGS 102.424413
KHR 4700.717826
KMF 491.916529
KPW 1054.105695
KRW 1728.406292
KWD 0.359837
KYD 0.976149
KZT 606.152563
LAK 25368.873969
LBP 104891.417505
LKR 362.65538
LRD 207.321659
LSL 19.649501
LTL 3.458335
LVL 0.708465
LYD 6.34897
MAD 10.73654
MDL 19.830028
MGA 5326.813434
MKD 61.5594
MMK 2459.916548
MNT 4159.16935
MOP 9.388034
MRU 46.876158
MUR 54.052655
MVR 18.095929
MWK 2031.110162
MXN 21.122649
MYR 4.775145
MZN 74.845892
NAD 19.649501
NGN 1710.181964
NIO 43.106583
NOK 11.874743
NPR 167.921643
NZD 1.99613
OMR 0.451419
PAB 1.171279
PEN 3.944502
PGK 4.982761
PHP 68.60009
PKR 328.173614
PLN 4.207347
PYG 7858.199991
QAR 4.270252
RON 5.07775
RSD 117.397927
RUB 94.264395
RWF 1705.460433
SAR 4.392871
SBD 9.541707
SCR 17.757712
SDG 704.49846
SEK 10.855305
SGD 1.514755
SHP 0.878725
SLE 28.168488
SLL 24560.087729
SOS 668.202038
SRD 45.023799
STD 24242.072559
STN 24.503742
SVC 10.248565
SYP 12951.989104
SZL 19.647
THB 36.805911
TJS 10.793648
TMT 4.099301
TND 3.428524
TOP 2.820038
TRY 50.065939
TTD 7.950214
TWD 36.91585
TZS 2922.446274
UAH 49.525863
UGX 4189.639781
USD 1.171229
UYU 45.987022
UZS 14081.15027
VES 330.473524
VND 30817.959199
VUV 141.753524
WST 3.265184
XAF 656.057184
XAG 0.017437
XAU 0.00027
XCD 3.165305
XCG 2.111022
XDR 0.815925
XOF 656.057184
XPF 119.331742
YER 279.225162
ZAR 19.652061
ZMK 10542.469351
ZMW 26.501047
ZWL 377.135213
  • RBGPF

    0.0000

    80.22

    0%

  • SCS

    0.0200

    16.14

    +0.12%

  • CMSC

    -0.1200

    23.17

    -0.52%

  • BCC

    -2.9300

    74.77

    -3.92%

  • CMSD

    -0.0300

    23.25

    -0.13%

  • GSK

    0.3200

    48.61

    +0.66%

  • NGG

    -0.2800

    76.11

    -0.37%

  • RYCEF

    0.2800

    15.68

    +1.79%

  • RIO

    0.6900

    78.32

    +0.88%

  • BTI

    -0.5900

    56.45

    -1.05%

  • BCE

    -0.0100

    22.84

    -0.04%

  • JRI

    -0.0500

    13.38

    -0.37%

  • VOD

    0.0400

    12.84

    +0.31%

  • AZN

    0.7500

    91.36

    +0.82%

  • RELX

    0.0800

    40.73

    +0.2%

  • BP

    0.6300

    33.94

    +1.86%

Cannes gets rare look at real life in Chinese factories
Cannes gets rare look at real life in Chinese factories / Photo: Valery HACHE - AFP

Cannes gets rare look at real life in Chinese factories

Chinese filmmaker Wang Bing got incredible access to the inner workings of his country's textile industry by spending five years with its employees, but he fears it may be more difficult for him to work there in future.

Text size:

Wang, who has delivered some of the most important and immersive documentaries about China, made "Youth (Spring)" from 2,600 hours of footage.

The unflinching but tender portrait of young workers in textile factories premiered at the Cannes Film Festival on Thursday -- a rare documentary to be included in the main competition for the Palme d'Or.

The factory managers are filmed openly as they negotiate dirt-cheap wages and tell workers to leave if they aren't happy -- footage gained thanks to Wang's many years on the ground.

"Bit by bit as I got to know all these managers from the factories, I was really able to get total freedom from them and even very strong support on their part," he told AFP.

But now Wang worries he may not have such access to film in China again.

"It will be more and more difficult to shoot there because China is entering a phase in its history where denunciation is becoming the heart of society", he said.

China has seen a tightening of its authoritarian rule in recent years under Premier Xi Jinping.

"The concrete changes that are happening, that we can see and are real, are totally unexpected and surprise me. I must say it is totally incomprehensible to me," Wang said.

- Patient observer -

Filmed in Zhili, the Chinese garment capital on the Yangtze River, the movie shows the small textile factories in bleak grey concrete high-rises strewn with garbage.

Wang's camera patiently observes the daily lives of young people who have come from rural regions to join the sprawling workforce.

In long takes we see their rapid mechanical movements hunched over sewing machines, often against a background of banter and blaring music.

But it also shows its young subjects as they relax, joking with each other, flirting, drinking and talking about everything from abortion to marriage.

The filmmaker knows the 212-minute running time will put off many viewers but he said his priority was staying true to his subject.

"What's essential for the director is to feel that the length corresponds with the true length of the subject being treated," he said.

- Nine hours -

And he is not done yet.

Since 2021, Wang has been editing in Paris and plans two more parts of "Youth", to create a trilogy of more than nine hours.

The premiere in Cannes on Thursday received a standing ovation, and early reviews were broadly positive.

Deadline hailed an "exceptional" documentary that paints a "grim picture of life for young Chinese workers".

For The Guardian it was a "giant, immersive documentary" full of "heart-stopping stories".

Variety magazine was less enthusiastic, calling it "a deflating, even dehumanising, experience".

Wang was nominated in 2018 at Cannes for his eight-hour-plus documentary, "Dead Souls", on re-education camp survivors.

His first epic documentary, "West of the Tracks", about migrant workers, ran for over nine hours.

Other films include "Til Madness Do Us Part" (2013), set in an asylum where mentally ill patients are locked up with political prisoners, and "Three Sisters" (2012), which won a prize in Venice, about three young girls left to fend for themselves in the Yunan mountains while their parents work in the city.

C.Sramek--TPP