The Prague Post - Oscar-nominated '20 days in Mariupol': from normality to ruins

EUR -
AED 4.32464
AFN 77.740992
ALL 96.464556
AMD 447.574742
ANG 2.108331
AOA 1079.834899
ARS 1709.556878
AUD 1.766179
AWG 2.122576
AZN 2.000414
BAM 1.95569
BBD 2.363067
BDT 143.371909
BGN 1.955626
BHD 0.443886
BIF 3466.298337
BMD 1.177574
BND 1.513825
BOB 8.124542
BRL 6.586144
BSD 1.173234
BTN 105.188064
BWP 15.475127
BYN 3.412507
BYR 23080.441516
BZD 2.359667
CAD 1.617774
CDF 2661.316446
CHF 0.930101
CLF 0.027311
CLP 1071.414928
CNY 8.291237
CNH 8.268456
COP 4466.57179
CRC 584.866995
CUC 1.177574
CUP 31.205699
CVE 110.258778
CZK 24.322134
DJF 208.92821
DKK 7.470279
DOP 73.425856
DZD 152.639428
EGP 55.923086
ERN 17.663603
ETB 181.842238
FJD 2.681865
FKP 0.883315
GBP 0.872994
GEL 3.161821
GGP 0.883315
GHS 13.405244
GIP 0.883315
GMD 86.550939
GNF 10255.811591
GTQ 8.990493
GYD 245.466148
HKD 9.158172
HNL 30.926255
HRK 7.534589
HTG 153.6122
HUF 388.554479
IDR 19765.571982
ILS 3.771279
IMP 0.883315
INR 105.69535
IQD 1537.013263
IRR 49575.846669
ISK 147.997138
JEP 0.883315
JMD 187.269432
JOD 0.834941
JPY 183.770931
KES 151.235955
KGS 102.979128
KHR 4706.454632
KMF 493.403332
KPW 1059.816155
KRW 1747.389558
KWD 0.361786
KYD 0.977745
KZT 605.005858
LAK 25413.565852
LBP 105067.570788
LKR 363.249501
LRD 207.668281
LSL 19.597194
LTL 3.477069
LVL 0.712302
LYD 6.366641
MAD 10.740594
MDL 19.863879
MGA 5285.701715
MKD 61.551527
MMK 2473.272155
MNT 4181.82663
MOP 9.402069
MRU 46.766361
MUR 54.144854
MVR 18.205057
MWK 2034.485189
MXN 21.160461
MYR 4.789188
MZN 75.236061
NAD 19.597194
NGN 1714.487931
NIO 43.175364
NOK 11.89002
NPR 168.300502
NZD 2.025781
OMR 0.452776
PAB 1.173334
PEN 3.951077
PGK 4.991422
PHP 69.206505
PKR 328.666153
PLN 4.216243
PYG 7927.552629
QAR 4.288558
RON 5.087349
RSD 117.400563
RUB 92.793938
RWF 1708.903563
SAR 4.416419
SBD 9.593396
SCR 16.653484
SDG 708.31001
SEK 10.856127
SGD 1.515785
SHP 0.883485
SLE 28.320651
SLL 24693.132803
SOS 669.362226
SRD 45.22648
STD 24373.394906
STN 24.497057
SVC 10.266421
SYP 13022.057466
SZL 19.591894
THB 36.728798
TJS 10.794191
TMT 4.121507
TND 3.431906
TOP 2.835315
TRY 50.432508
TTD 7.97655
TWD 37.104937
TZS 2909.164856
UAH 49.385213
UGX 4227.761417
USD 1.177574
UYU 45.987405
UZS 14075.205703
VES 332.26374
VND 31004.922699
VUV 142.019348
WST 3.282858
XAF 655.919985
XAG 0.016984
XAU 0.000263
XCD 3.182451
XCG 2.114581
XDR 0.815754
XOF 655.919985
XPF 119.331742
YER 280.817031
ZAR 19.676523
ZMK 10599.577001
ZMW 26.516504
ZWL 379.178202
  • SCS

    0.0200

    16.14

    +0.12%

  • CMSC

    -0.0500

    23.12

    -0.22%

  • NGG

    0.3000

    76.41

    +0.39%

  • VOD

    0.0400

    12.88

    +0.31%

  • RELX

    0.2500

    40.98

    +0.61%

  • BCE

    -0.1100

    22.73

    -0.48%

  • RYCEF

    -0.3200

    15.36

    -2.08%

  • RBGPF

    0.0000

    80.22

    0%

  • RIO

    1.7800

    80.1

    +2.22%

  • AZN

    0.1900

    91.55

    +0.21%

  • BCC

    -0.5400

    74.23

    -0.73%

  • JRI

    -0.0100

    13.37

    -0.07%

  • GSK

    -0.0200

    48.59

    -0.04%

  • CMSD

    -0.0500

    23.2

    -0.22%

  • BTI

    0.3200

    56.77

    +0.56%

  • BP

    0.2000

    34.14

    +0.59%

Oscar-nominated '20 days in Mariupol': from normality to ruins
Oscar-nominated '20 days in Mariupol': from normality to ruins / Photo: STRINGER - AFP/File

Oscar-nominated '20 days in Mariupol': from normality to ruins

Laying out the horrors of the early days of Russia's invasion of Ukraine, documentary "20 days in Mariupol" was on Tuesday nominated for an Oscar.

Text size:

Almost two years on from the start of Russia's attack, the film recounts the dying days of a major city.

"Wars start with silence", filmmaker Mstyslav Chernov says on day one of the 2022 onslaught, as he enters Mariupol by car with his colleague, Associated Press photographer Evgeniy Maloletka.

The journalists, both Ukrainian, know that the southern strategic port will be one of the first targets for Moscow's troops.

Chernov films the last images of a still "normal" city before it was reduced to rubble.

As the shelling begins, the pair encounter a horrified woman asking what she should do.

"They don't shoot civilians," Chernov reassures her, telling the woman to return to her home -- only to add in voice-over: "I was wrong".

Her neighbourhood is bombed soon after and the filmmakers find her again in a gym where hundreds of families are sheltering.

Images of so many men, women and children leave the viewer wondering how many lives will be claimed by the war.

Chernov has a premonition that "something terrible" is coming to Mariupol.

Just three days into their attack, Russian forces began encircling the city, while a quarter of its population had fled.

Those left behind would face carnage.

Chernov said on Tuesday that he hoped the Oscar nomination would bring more people to see the film.

"I feel that I owe the people of Mariupol, and it's my duty to make sure that their stories not forgotten," he said.

- 'Film it! Show it!' -

One week into the war, Chernov and Maloletka are the only international reporters still in Mariupol.

On their perch at the hospital -- one of the only sites enjoying some degree of protection -- they witness the deaths of children and parents' fathomless grief.

Managing to show respect even through the chaos, Chernov films weeping doctors' desperate struggle to save the life of a four-year-old girl, Evangelina.

A father is seen moaning over the dead body of his "beloved son" Ilya, 16, while the parents of 18-month-old Kyrill simply collapse.

"Film it! Show it!" one doctor at the end of his tether urges the cameraman.

The lens captures stretcher-bearers' frantic dashing, people lying in the corridors shaken by bombardment, blood, suffering and nurses taking a brief cigarette break.

"The world has fallen apart and we're smoking," one says with a smile, as if to keep the horror at bay.

Getting their images to the outside world becomes an obsession for the two journalists, even as Mariupol is under siege and cut off.

They encounter wild-eyed people and bodies lying in the street as they step out to search for mobile signal and to film the city's death throes.

People stripped of emotion calmly loot a shop in front of the camera as the owner pleas and a soldier barks for "solidarity".

"The city has changed so fast," Chernov narrates.

As the camera records bodies tossed into mass graves, he adds: "My brain will desperately want to forget all this, but the camera will not let it happen".

"If the world saw everything that happened in Mariupol, it would give at least some meaning to this horror," he hopes.

- Maternity hospital -

On March 9, the war's 14th day, Mariupol's maternity hospital was bombed.

The AP journalists' images of that day have become landmark documents of the war and of atrocities attributed to Russian forces in Ukraine.

When the pair hear Moscow has accused them of staging the pictures with actors, they hunt out the survivors.

But they learn that Iryna, a pregnant woman whose picture on a stretcher was seen worldwide, died with her baby.

They follow the difficult birth of a baby girl to one of the survivors in their quest to get proof out to the world.

In the end, Ukrainian special forces were sent in a high-stakes mission to retrieve the journalists and keep them out of Russian hands as the invaders entered the city.

Leaving Mariupol in a Red Cross convoy, Chernov cannot help but think of those he is "abandoning", whose "tragedies will never be known".

At least 25,000 people died in the 86-day siege of Mariupol, according to authorities in Ukraine, where the fighting remains fierce.

G.Turek--TPP