The Prague Post - Despite Covid hurdles, US orchestras find the joy in music

EUR -
AED 4.179243
AFN 80.810524
ALL 98.715295
AMD 442.438618
ANG 2.050691
AOA 1042.247794
ARS 1325.560361
AUD 1.774621
AWG 2.05093
AZN 1.931747
BAM 1.955095
BBD 2.278879
BDT 138.200198
BGN 1.959585
BHD 0.428911
BIF 3382.880944
BMD 1.137825
BND 1.490463
BOB 7.859133
BRL 6.394351
BSD 1.1374
BTN 96.880662
BWP 15.528541
BYN 3.722259
BYR 22301.369472
BZD 2.284777
CAD 1.573481
CDF 3274.660094
CHF 0.93746
CLF 0.02804
CLP 1076.029359
CNY 8.271419
CNH 8.266725
COP 4775.451412
CRC 575.007951
CUC 1.137825
CUP 30.152362
CVE 110.224795
CZK 24.927492
DJF 202.54701
DKK 7.465155
DOP 67.027613
DZD 150.521735
EGP 57.835986
ERN 17.067375
ETB 152.252872
FJD 2.567385
FKP 0.849564
GBP 0.849694
GEL 3.123397
GGP 0.849564
GHS 16.265067
GIP 0.849564
GMD 81.354276
GNF 9851.363379
GTQ 8.759805
GYD 238.672943
HKD 8.826063
HNL 29.516623
HRK 7.53285
HTG 148.826369
HUF 404.303011
IDR 18934.545377
ILS 4.131039
IMP 0.849564
INR 96.820883
IQD 1490.06304
IRR 47902.43118
ISK 146.097466
JEP 0.849564
JMD 180.176655
JOD 0.806942
JPY 162.302201
KES 147.178113
KGS 99.502471
KHR 4553.319147
KMF 491.824654
KPW 1024.158266
KRW 1617.844914
KWD 0.348538
KYD 0.947858
KZT 581.820335
LAK 24602.134368
LBP 101912.374829
LKR 340.717219
LRD 227.487023
LSL 21.105694
LTL 3.359701
LVL 0.688258
LYD 6.222758
MAD 10.550752
MDL 19.574946
MGA 5133.195314
MKD 61.512294
MMK 2389.187997
MNT 4064.744358
MOP 9.088525
MRU 45.030169
MUR 51.463591
MVR 17.51147
MWK 1972.306593
MXN 22.249308
MYR 4.905159
MZN 72.832552
NAD 21.105694
NGN 1822.249091
NIO 41.854917
NOK 11.792446
NPR 155.014226
NZD 1.915579
OMR 0.438057
PAB 1.137385
PEN 4.170097
PGK 4.712281
PHP 63.534439
PKR 319.531162
PLN 4.268266
PYG 9108.71758
QAR 4.146488
RON 4.977076
RSD 117.157781
RUB 93.302508
RWF 1625.92837
SAR 4.268019
SBD 9.513693
SCR 16.671368
SDG 683.323174
SEK 10.973241
SGD 1.48563
SHP 0.894152
SLE 25.885581
SLL 23859.602297
SOS 650.071453
SRD 41.928441
STD 23550.679683
SVC 9.952414
SYP 14793.956034
SZL 21.098582
THB 37.913408
TJS 12.010808
TMT 3.993766
TND 3.402359
TOP 2.664902
TRY 43.805795
TTD 7.717219
TWD 36.40468
TZS 3055.060085
UAH 47.253887
UGX 4168.479528
USD 1.137825
UYU 47.891689
UZS 14727.692725
VES 98.476601
VND 29589.138425
VUV 138.026121
WST 3.151879
XAF 655.726465
XAG 0.034617
XAU 0.000344
XCD 3.075029
XDR 0.815513
XOF 655.720704
XPF 119.331742
YER 278.824402
ZAR 21.10679
ZMK 10241.797846
ZMW 31.819534
ZWL 366.379177
  • RIO

    0.0100

    60.88

    +0.02%

  • CMSD

    -0.1300

    22.35

    -0.58%

  • RBGPF

    -0.4500

    63

    -0.71%

  • JRI

    0.1300

    12.93

    +1.01%

  • NGG

    0.1900

    73.04

    +0.26%

  • BCC

    -0.8300

    94.5

    -0.88%

  • SCS

    0.1500

    10.01

    +1.5%

  • CMSC

    -0.0800

    22.24

    -0.36%

  • BCE

    0.1100

    21.92

    +0.5%

  • RYCEF

    -0.1300

    10.12

    -1.28%

  • VOD

    0.0100

    9.58

    +0.1%

  • BTI

    0.4700

    42.86

    +1.1%

  • RELX

    0.4300

    53.79

    +0.8%

  • GSK

    0.9100

    38.97

    +2.34%

  • AZN

    1.7800

    71.71

    +2.48%

  • BP

    -1.0600

    28.07

    -3.78%

Despite Covid hurdles, US orchestras find the joy in music
Despite Covid hurdles, US orchestras find the joy in music

Despite Covid hurdles, US orchestras find the joy in music

At the start of 2020, the National Symphony Orchestra was planning its first international tour with conductor Gianandrea Noseda, and an epic Beethoven cycle to mark the 250th anniversary of the legendary composer's birth.

Text size:

Instead, the coronavirus pandemic forced the ensemble out of the Kennedy Center in the US capital for 18 months, and the Beethoven symphonic series has been rescheduled, starting this month and wrapping up in... 2023.

The NSO and other professional orchestras in the United States have resumed live performances in recent months while navigating a maelstrom of Covid-19 rules, trying to keep everyone healthy, and convincing wary listeners to buy tickets again.

"It has been a big challenge," Noseda told AFP after an afternoon rehearsal for January's concerts, which include some of the Beethoven symphonies -- but not the Ninth, as the chorus required would put too many unmasked people on stage.

Noseda, who was not able to travel to Washington for a year as the crisis unfolded, detailed the NSO's pandemic evolution from virtual concerts, small groups on stage and plexiglass between musicians to the more or less normal 2021-22 season.

"The alternative would have been no performance at all," the 57-year-old Italian maestro said, explaining that he managed to keep in touch with his players during the long hiatus through Zoom calls and emails.

Now, Noseda says there is a "really perceivable" sense of musicians and audiences appreciating the moment, and not looking too far ahead.

"I fully enjoy that moment," he said. "It's a gift to you."

- Vaccines, testing and adaptability -

So how do you go about making sure that dozens of musicians can be on stage together safely for rehearsals and concerts, especially when some of them -- brass and woodwind players -- cannot be masked?

The plexiglass partitions seen earlier in the pandemic are gone, but all NSO members who can play while masked do so, and protocols are rigid.

"It's a new world for all of us," said NSO executive director Gary Ginstling, explaining that general manager Genevieve Twomey and her team have basically become "an in-house medical team" conducting weekly testing and monitoring.

Twomey said "very few" positive results had been detected so far within the orchestra.

But in Texas, the Dallas Symphony Orchestra was forced to cancel two concerts and cut planned works from two others this month because they could not replace key musicians who had tested positive.

"Omicron has been particularly challenging because it's so contagious and prevalent," DSO president and CEO Kim Noltemy told AFP in a statement.

For Jamie Roberts, the NSO's assistant principal oboe player who clearly performs without a mask, "once there was a vaccine, and people could get a vaccine, I felt really safe."

Colin Williams, the associate principal trombone player at the New York Philharmonic, agreed that protocols in place had been "worth it," ensuring the musicians' safety and that of their loved ones at home.

"I personally feel that when I'm at work, I don't feel like I'm in danger," Williams told AFP.

Roberts, 37, says she is thrilled to be back on stage, but before that became possible, she helped shape the orchestra's virtual programming, dubbed NSO at Home.

Many other US classical ensembles launched similar initiatives to keep attendees engaged.

"We believe that creating programs for home viewing is an integral part of our future and the future of the field," said Jim Roe, the president and executive director of the New York-based Orchestra of St Luke's.

So, will Americans don masks to experience live orchestral music, as they weather the surge in Covid-19 cases?

Officials with the Chicago Symphony Orchestra feared Omicron would dent sales. In the end, 80 percent of tickets for its January concerts were sold.

While some cities such as New York and Washington have implemented vaccine and mask mandates at concert venues with ease, the Dallas symphony ran up against Governor Greg Abbott's executive orders barring such requirements.

Noltemy said the DSO, mindful of an "obligation" to keep attendees safe, is keeping its mask rules in place, despite the risk of being fined for doing so.

The organization is also offering free on-site rapid testing for those without proof of vaccination in hand "to ensure the safest possible environment," Noltemy said.

- Looking ahead -

So, what does the future hold? Can orchestras plan to travel this year, or the year after that? And if not, how will that affect programming?

In Chicago, when a scheduled Asian tour for January was canceled, conductor Riccardo Muti planned a series of concerts in the Windy City, including some that are free to the public.

Back in Washington, while the NSO has planned a full season, Ginstling admitted future travel was uncertain.

"There are a lot more questions than answers right now," he said.

But Roberts, the oboe player, said she is simply reveling in the moment, being reunited with her colleagues.

"We missed each other, it's a family," she said. "It's a really cool job."

V.Nemec--TPP