The Prague Post - Japanese filmmaker Fukada casts queasy gaze on J-pop idols

EUR -
AED 4.29233
AFN 81.060934
ALL 97.871028
AMD 449.659898
ANG 2.091479
AOA 1071.624536
ARS 1494.697157
AUD 1.782689
AWG 2.104101
AZN 1.989856
BAM 1.958222
BBD 2.364224
BDT 141.685208
BGN 1.957427
BHD 0.440577
BIF 3488.9144
BMD 1.16862
BND 1.499654
BOB 8.120041
BRL 6.531186
BSD 1.170948
BTN 100.606271
BWP 15.623387
BYN 3.832039
BYR 22904.954325
BZD 2.352109
CAD 1.599783
CDF 3372.63756
CHF 0.930809
CLF 0.029493
CLP 1131.785508
CNY 8.375792
CNH 8.385323
COP 4686.750986
CRC 591.03087
CUC 1.16862
CUP 30.968433
CVE 110.402469
CZK 24.66174
DJF 208.517854
DKK 7.463512
DOP 70.547239
DZD 151.84582
EGP 57.799791
ERN 17.529302
ETB 160.326046
FJD 2.626181
FKP 0.863674
GBP 0.869471
GEL 3.167044
GGP 0.863674
GHS 12.178059
GIP 0.863674
GMD 83.561478
GNF 10158.562104
GTQ 8.9952
GYD 244.882823
HKD 9.173615
HNL 30.631009
HRK 7.534912
HTG 153.690054
HUF 400.085306
IDR 19036.588008
ILS 3.91829
IMP 0.863674
INR 100.328958
IQD 1533.896821
IRR 49213.516854
ISK 142.396501
JEP 0.863674
JMD 187.59278
JOD 0.828573
JPY 172.475459
KES 151.289994
KGS 102.191849
KHR 4692.803132
KMF 493.449547
KPW 1051.758459
KRW 1613.233652
KWD 0.35699
KYD 0.975807
KZT 614.439818
LAK 25237.208397
LBP 104915.839195
LKR 352.305662
LRD 234.772329
LSL 20.916065
LTL 3.450631
LVL 0.706886
LYD 6.34785
MAD 10.535929
MDL 19.835529
MGA 5186.43575
MKD 61.606182
MMK 2454.101562
MNT 4188.573728
MOP 9.467708
MRU 46.484483
MUR 53.101452
MVR 17.999567
MWK 2030.419509
MXN 21.875365
MYR 4.968964
MZN 74.745298
NAD 20.916065
NGN 1793.095467
NIO 43.093289
NOK 11.835316
NPR 160.969055
NZD 1.952922
OMR 0.44933
PAB 1.170948
PEN 4.162147
PGK 4.84303
PHP 66.323279
PKR 333.277532
PLN 4.251682
PYG 9071.217491
QAR 4.268915
RON 5.080226
RSD 117.128458
RUB 91.150839
RWF 1691.99957
SAR 4.383007
SBD 9.722405
SCR 17.15469
SDG 701.780102
SEK 11.22178
SGD 1.497184
SHP 0.918352
SLE 26.297793
SLL 24505.38419
SOS 669.230435
SRD 43.479096
STD 24188.077021
SVC 10.24567
SYP 15194.381516
SZL 20.91186
THB 37.894882
TJS 11.305477
TMT 4.101857
TND 3.430772
TOP 2.737022
TRY 47.001552
TTD 7.947828
TWD 34.247928
TZS 3044.255927
UAH 48.968764
UGX 4196.189018
USD 1.16862
UYU 47.589256
UZS 14771.266186
VES 133.437463
VND 30536.0437
VUV 139.822081
WST 3.044848
XAF 656.771976
XAG 0.030542
XAU 0.000348
XCD 3.158254
XDR 0.816814
XOF 656.769162
XPF 119.331742
YER 282.046189
ZAR 20.882544
ZMK 10518.98595
ZMW 27.165593
ZWL 376.295201
  • CMSC

    0.0900

    22.314

    +0.4%

  • CMSD

    0.0250

    22.285

    +0.11%

  • RBGPF

    0.0000

    69.04

    0%

  • SCS

    0.0400

    10.74

    +0.37%

  • RELX

    0.0300

    53

    +0.06%

  • RIO

    -0.1400

    59.33

    -0.24%

  • GSK

    0.1300

    41.45

    +0.31%

  • NGG

    0.2700

    71.48

    +0.38%

  • BP

    0.1750

    30.4

    +0.58%

  • BTI

    0.7150

    48.215

    +1.48%

  • BCC

    0.7900

    91.02

    +0.87%

  • JRI

    0.0200

    13.13

    +0.15%

  • VOD

    0.0100

    9.85

    +0.1%

  • BCE

    -0.0600

    22.445

    -0.27%

  • RYCEF

    0.1000

    12

    +0.83%

  • AZN

    -0.1200

    73.71

    -0.16%

Japanese filmmaker Fukada casts queasy gaze on J-pop idols
Japanese filmmaker Fukada casts queasy gaze on J-pop idols / Photo: Bertrand GUAY - AFP

Japanese filmmaker Fukada casts queasy gaze on J-pop idols

Exploitative contracts that force young female Japanese pop stars to forego relationships and sex are at the heart of director Koji Fukada's latest film, which has premiered in Cannes.

Text size:

The 45-year-old director said he was inspired by a news report about a Japanese "idol", as the starlets are known, who was sued by her management agency after breaking a "no dating" clause.

Fukada cast former idol Saito Kyoko in the lead role of his feature "Love on Trial" which tells the story of a young performer who undergoes a similar ordeal.

"I felt a deep discomfort, a real unease when I found out, and that's what made me want to look into the subject a bit and then turn it into a screenplay," he told AFP in Cannes.

The film highlights the unequal relationship between management agencies and the idols, who are usually teenagers trained to become a mixture of pop star, online influencer and advertising prop.

But the core of the film examines the more unusual demand that the women remain unattached and chaste -- in order for their older, male fanbase to project their fantasies.

As the lyrics to the songs of Fukada's fictional five-member group "Happy Fanfare" make clear, the performers spend their time singing about the idea of falling in love.

"The industry really encourages this kind of artificial love between fans and their idols," the director of "The Real Thing" and "Harmonium" explained.

"As soon as an idol appears to have a romantic relationship with someone, it's well known that they lose a lot of popularity."

As well as selling merchandise, the women also offer their time for meet-and-greet events -- for a price -- at which fans can come to talk to them, hold hands, and take selfies.

- 'Unusual job' -

The activist director, who has previously spoken out about sexual harassment and the Japanese film industry's over-reliance on manga adaptations, believes the J-pop industry reflects the prejudices of Japanese society.

"There is a lot of prejudice and gender discrimination towards women in our patriarchal system," he said. "We tend to believe that women must be pure, untouched and submissive."

As his film makes clear, many of the stars themselves are happy to encourage this image in pursuit of fame and wealth.

"I met idols who are still active. Some believe that the ban on romantic relationships is a problem. Others think it's normal because it's a very unusual kind of job," he said.

He hopes his film, which is set for release from May, will spark debate in Japan.

"I tried to make a film that could bring out each person's perception of gender, love, freedom, and issues of discrimination," he said.

"And that every viewer, whether they agree or disagree with the choices made by the heroine, could take part in a discussion around these questions."

M.Soucek--TPP