The Prague Post - 'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame

EUR -
AED 4.300072
AFN 81.950433
ALL 97.246793
AMD 447.786122
ANG 2.095323
AOA 1073.543815
ARS 1667.10889
AUD 1.767501
AWG 2.110211
AZN 1.982405
BAM 1.956691
BBD 2.357493
BDT 142.48491
BGN 1.955642
BHD 0.441424
BIF 3447.750743
BMD 1.170713
BND 1.502491
BOB 8.088547
BRL 6.328176
BSD 1.170493
BTN 103.15423
BWP 15.685878
BYN 3.96237
BYR 22945.981177
BZD 2.354152
CAD 1.622527
CDF 3361.117846
CHF 0.93519
CLF 0.028778
CLP 1128.942012
CNY 8.337237
CNH 8.334554
COP 4594.171767
CRC 590.366424
CUC 1.170713
CUP 31.023903
CVE 110.315255
CZK 24.390642
DJF 208.058951
DKK 7.466406
DOP 74.463922
DZD 151.891877
EGP 56.306746
ERN 17.5607
ETB 168.408488
FJD 2.659628
FKP 0.865151
GBP 0.864935
GEL 3.148768
GGP 0.865151
GHS 14.280261
GIP 0.865151
GMD 84.875396
GNF 10149.623721
GTQ 8.972087
GYD 244.898427
HKD 9.119763
HNL 30.671973
HRK 7.535066
HTG 153.113675
HUF 393.02778
IDR 19254.429384
ILS 3.889636
IMP 0.865151
INR 103.084294
IQD 1533.498594
IRR 49257.762711
ISK 143.189796
JEP 0.865151
JMD 187.415378
JOD 0.830028
JPY 172.447825
KES 151.25867
KGS 102.378994
KHR 4691.036855
KMF 492.288765
KPW 1053.65723
KRW 1624.786309
KWD 0.357665
KYD 0.975428
KZT 630.486451
LAK 25374.258942
LBP 104821.661393
LKR 353.501039
LRD 222.397515
LSL 20.572972
LTL 3.456812
LVL 0.708153
LYD 6.328883
MAD 10.566113
MDL 19.489546
MGA 5202.103237
MKD 61.558043
MMK 2457.86457
MNT 4211.542222
MOP 9.391618
MRU 46.810325
MUR 53.266853
MVR 18.040528
MWK 2029.689963
MXN 21.752135
MYR 4.934576
MZN 74.810331
NAD 20.572972
NGN 1763.515951
NIO 43.079625
NOK 11.615465
NPR 165.049894
NZD 1.967899
OMR 0.450136
PAB 1.170473
PEN 4.088463
PGK 4.964261
PHP 66.824266
PKR 332.268867
PLN 4.262211
PYG 8384.819754
QAR 4.267544
RON 5.076791
RSD 117.183336
RUB 98.922736
RWF 1696.143712
SAR 4.391844
SBD 9.627739
SCR 16.607706
SDG 703.598144
SEK 10.948886
SGD 1.500691
SHP 0.919997
SLE 27.365436
SLL 24549.2707
SOS 669.001911
SRD 46.095682
STD 24231.402174
STN 24.510328
SVC 10.242666
SYP 15221.306664
SZL 20.552187
THB 37.16722
TJS 11.107991
TMT 4.109204
TND 3.413955
TOP 2.741926
TRY 48.316043
TTD 7.944483
TWD 35.487714
TZS 2885.808105
UAH 48.294395
UGX 4108.731373
USD 1.170713
UYU 46.751298
UZS 14462.588517
VES 182.840023
VND 30900.978223
VUV 140.189329
WST 3.179532
XAF 656.241941
XAG 0.028412
XAU 0.000321
XCD 3.163911
XCG 2.109625
XDR 0.81651
XOF 656.255961
XPF 119.331742
YER 280.504212
ZAR 20.464444
ZMK 10537.8268
ZMW 28.297408
ZWL 376.969213
  • CMSC

    0.1400

    24.28

    +0.58%

  • GSK

    -0.2050

    40.575

    -0.51%

  • AZN

    -0.3950

    80.825

    -0.49%

  • BTI

    -0.0850

    56.175

    -0.15%

  • RBGPF

    0.0000

    77.27

    0%

  • NGG

    0.1930

    70.553

    +0.27%

  • BP

    0.5950

    34.685

    +1.72%

  • RIO

    0.3150

    62.185

    +0.51%

  • RYCEF

    0.2200

    14.87

    +1.48%

  • RELX

    -1.9470

    45.243

    -4.3%

  • BCC

    0.0500

    85.34

    +0.06%

  • VOD

    -0.1200

    11.74

    -1.02%

  • CMSD

    0.0350

    24.405

    +0.14%

  • BCE

    -0.0650

    24.135

    -0.27%

  • JRI

    0.2100

    13.99

    +1.5%

  • SCS

    -0.1200

    16.76

    -0.72%

'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame
'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame / Photo: NOAH SEELAM - AFP

'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame

Indian director S.S. Rajamouli's films are all-singing, all-dancing spectacles -- and he is now a favourite to secure the first ever Oscar for an all-Indian film.

Text size:

His three-hour extravaganza "RRR" is a fictionalised story of two colonial-era revolutionaries, filled with large-scale, visual effects-laden action sequences and musical numbers.

It has smashed box offices in India, wowed audiences from the United States to Japan, and is a front runner for the Best Original Song award at next month's Oscars, having already beaten out Taylor Swift and Rihanna for the same prize at the Golden Globes.

"When I'm going to a movie, I would like to see larger-than-life characters, larger-than-life situations, larger-than-life drama," Rajamouli told AFP.

"And that's what I like to make," he said at his office in the southern city of Hyderabad.

"Nothing holds the heroes back in delivering their action sequences."

A word-of-mouth hit that has seen moviegoers dancing in cinema aisles, Telugu-language "RRR" has become one of the highest-grossing Indian movies ever.

It has also introduced the country's lesser-known but prolific southern cinema industry to a worldwide audience.

India's Hindi-language Bollywood cinema industry has long been known as the world's most productive, but international film awards beyond the festival circuit have largely remained the preserve of English-language movies.

That changed when Bong Joon-ho's "Parasite" swept four Oscars in 2020, including Best Film and Best Director, after decades when the plaudits for Korean cinema were confined to the critics.

The only previous Indian Oscars won were for English-language films -- the 1982 British-Indian co-production "Gandhi" and 2008's Mumbai-set British drama "Slumdog Millionaire".

Now Rajamouli hopes a statuette for the dance number "Naatu Naatu" will pave the way for Indian auteurs to do the same.

Shot in front of Ukraine's turquoise presidential palace -- before the war -- it features high-energy performances from the two leads as they confront their antagonist.

"We are breaking ground, but I think we are in very, very initial, initial steps," said the 49-year-old.

"If you see (South) Korea, for example, the kind of inroads that they have made... we should aspire to do that, all Indian film-makers."

- 'Unprecedented' -

Rajamouli was born in the southern state of Karnataka. His father was a scriptwriter who exposed him to the industry.

His early influences included prominent Telugu directors but he found himself drawn to epic Hollywood films such as "Ben Hur" and "Braveheart", and is a fan of Steven Spielberg and James Cameron.

Rajamouli's 2015 historical action-drama "Baahubali" -- then the most expensive film made in India -- made him a household name domestically, leading a wave of southern films to the top of the multilingual country's box office.

The 2017 sequel was well-received, with both movies among the highest-grossing of all time in the nation of 1.4 billion people, cementing Rajamouli's reputation as a blockbuster director.

He was "pleasantly surprised" by the buzz around "RRR" in the West, he said, pointing to what he called a "lack of maximalist entertainment".

"There's a section of audiences who wanted that, a celebratory kind of engagement with the cinema."

Despite appearing on Netflix only two months after it debuted across 1,200 US theatres in March last year, "RRR" has become among North America's highest-grossing Indian films.

It was "unprecedented" and "a total outlier", said analyst David A. Gross of Franchise Entertainment Research.

Audiences continue to flock to packed screenings for repeat viewings -- a January showing at Hollywood's historic TCL Chinese Theatre sold out in 98 seconds.

Rajamouli's films have been compared to Marvel superhero movies and he said it would "be an honour" to be asked to do one -- but he worries that a major studio would want to involve itself in the production process.

- Troubling undertones -

The accolades for "RRR" have also been accompanied by criticism of perceived troubling undertones in the film, including the promotion of Hindu nationalism and hyper-masculinity.

"RRR" contains Hindu mythology and nationalist fervour at a time when film-makers, mostly in Bollywood, have been repeatedly targeted by Hindu right-wingers on social media.

Rights campaigners say that under Hindu nationalist Prime Minister Narendra Modi, Bollywood stars are facing increased pressure -- particularly minority Muslim actors like Shah Rukh Khan and Aamir Khan.

Rajamouli grew up in a "deeply religious" Hindu family but is now an atheist and believes that "religion essentially is exploitation".

He blames criticism of the film on the polarisation of debate in India that does not allow for a middle ground.

"Any extreme point of view, I oppose," he said.

"I don't have any kind of hidden agenda... I make films for people who are willing to pay their hard-earned money on the film ticket.

"I like to get them entertained, make them feel dramatic about the characters, about the situations, have a good time, go back and live their lives."

D.Kovar--TPP